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As with other Lewton productions, the scares are rooted in how character guilt or corruption gives way to fear rather than vice versa. Continue Reading. But the woman is no more capable of killing than she is of taking her own life. Meanwhile, the jealous Yoshiko stalks Sadako with a camera to document her meetings with Hiraoko. The landscape changes to a snowbound mountain tunnel for Sadako's showdown with Hiraoko, and another subplot is resolved with a sudden burst of violence.
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Criticized constantly by her mother-in-law, Sadako is also distrusted by her husband, despite the fact that he's been carrying on a year affair with his bespectacled co-worker Yoshiko Yuko Kusunoki.
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- Tradition dictates that the attack should lead Sadako into shame and suicide; to her confused surprise, it instead seems to dissipate the numbing cloud of her servitude.